HUMMEL Review: Tread (2020)

It’s hard not to watch a documentary like Tread and consider the socio-political connotations that the movie is perpetuating. Of course, that’s the case with a real life tragedy like that which beset the small Colorado town in the infamous “Killdozer” incident in 2004. The spectacle was caused by a rampage by a local aggrievedContinue reading “HUMMEL Review: Tread (2020)”

HUMMEL Review: A Quiet Place – Part II

John Krasinski really broke out into the mainstream in an major way in 2018 with his directorial debut A Quiet Place. While not necessarily the most original or logical film in the world, it was one heck of a display of his dramatic bonafides that immediately raised him to a place of distinction among aContinue reading “HUMMEL Review: A Quiet Place – Part II”

HUMMEL Review – The Outpost (2020)

VOD releases defined much of 2020’s available cinema. That’s not surprising given how little there was to actually work win for professional critics. What else were they supposed to review? Thankfully, this set of circumstances gave smaller films a chance to shine in a space they otherwise might’ve flopped in. One of them was TheContinue reading “HUMMEL Review – The Outpost (2020)”

HUMMEL Review: Possessor (2020)

David Cronenberg remains one of Hollywood’s most prolific masters of cinematic violence of the last half century. His entire body of work, including films like The Fly, Videodrone, Scanners and Naked Lunch, consists of films driven by body horror, gore and the horror of the desecration of the human body and mind. It’s no surpriseContinue reading “HUMMEL Review: Possessor (2020)”

GUG Review: The Father

Nothing about this year’s Oscars ceremony was surprising. The only minor surprise came in the best performance category. Everyone and their mother assumed Chadwick Bozeman would win Best Actor of posthumously following his tragic passing from cancer last summer. Much to everyone’s surprise, Anthony Hopkins won for his performance in The Father. Anyone who hasContinue reading “GUG Review: The Father”

HUMMEL Review: Palm Springs (2020)

I’m not inclined to think that the Groundhog Day scenario is over-played at this point. The basic story over “I’m trapped in the same day over and over again” has been played out numerous times in recent years in films like Edge of Tomorrow and Happy Death Day. That said, it’s a smart premise forContinue reading “HUMMEL Review: Palm Springs (2020)”

HUMMEL Review: Greenland (2020)

I don’t usually expect much from Gerard Butler movies. I’ve seen enough of his films like Geostorm, Gods of Egypt and the Has Fallen films to know that he isn’t generally cast for his intense talent as an actor. He’s a human meat-stick. Outside of rare career bright spots like 300, Coriolanus and How toContinue reading “HUMMEL Review: Greenland (2020)”

Oscars Week: Thoughts on the 2021 Best Picture Nominees

The Oscars have been getting worse for years now. The last few years have had weird lineups and weird winners. I’m not sure many people have actually been happy with recent years for the most part. Green Book beating Blackkklansman, Roma and Black Panther for best picture in 2018 was bizarre but amusing. Parasite’s winContinue reading “Oscars Week: Thoughts on the 2021 Best Picture Nominees”

PODCAST – Stephen Michael Davis Debunks Progressive Election Myths

This week on the AntiSocial Network, we were joined once again by libertarian YouTuber Stephen Michael Davis! Davis was one of my favorite Youtubers working in political commentary before I met him and I’ve been lucky to have the chance to podcast with him several times. In the last month, he’s been working on aContinue reading “PODCAST – Stephen Michael Davis Debunks Progressive Election Myths”

HUMMEL Review: Judas and the Black Messiah (2021)

The title of Shaka King’s (produced by Ryan Coogler) new film should tell you almost everything you need to know about the moral compass of his new film. In Christianity, Judas has a very specific significance, he was Christ’s traitor who handed him over to the Roman authorizes for a thirty pieces of silver. TheContinue reading “HUMMEL Review: Judas and the Black Messiah (2021)”